Skip to main content



Featured Post

Neutral Milk Hotel - On Avery Island Music Album Reviews

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the oft-overshadowed debut from indie rock icons, a smaller and more intimate look into the mercurial world of Jeff Mangum.
In the mid-’90s, Jeff Mangum moved into a haunted closet in Denver where he had dreams of women in fur coats drinking champagne, yelling at him to get out of their house. During a snowy Colorado winter, the Louisiana-born songwriter and his childhood friend Robert Schneider set about recording what would become Neutral Milk Hotel’s debut album. They worked feverishly, going out to smoke cigarettes when they hit a roadblock, until, in May of 1995, they had a finished record. The North Carolina indie label Merge scooped up the young band and quietly released On Avery Island the following March.





Chief Keef/Zaytoven - GloToven Music Album Reviews

It isn’t really in Keef’s nature to be sentimental, but even Zaytoven has a way of getting to the hardest rappers.

Chief Keef, if you didn’t know, put out five tapes in 2017, nine projects in 2018, all capped this January by the seventh installment of his The Leek series. Sometimes, despite all that activity, and roughly one in every three of those projects doing something weird or interesting, it feels like very few people are actually paying attention. One way to draw such attention is to do an entire tape with Zaytoven, the virtuosic trap pianist who has brought soul and verve to many a great rapper’s catalogs. GloToven, a 12-track collaborative effort, finds Chief Keef once again tinkering with what his songs can be.

A few weeks ago, Zaytoven played his own Tiny Desk Concert when Future no-showed a planned set featuring a couple of their most breathtaking songs. With no rapper in front of him and a band behind him, Zay was sensational. He was no stranger to the format, having accompanied Gucci Mane there during his comeback tour in 2016, but being the focus seemed to empower him. Without verses, in a smaller space, the songs were even more intimate; they breathed, each chord lingering. One confounded YouTube commenter wrote of the Zay-led set, “It’s crazy just hearing this trap music turn into contemporary jazz with a change of performance style.” The transformative, adaptiveness of Zaytoven’s playing has become a hallmark of his: He’s turned Future into a blues singer and Usher into a man half his age.

Keef interprets Zay’s production differently than any of the maestro’s previous partners (with the exception of “Fast,” which is of a kind with Beast Mode’s “Real Sisters”). He doesn’t emote into the warm beds of the producer’s masterly keystrokes. He can’t lurch through Zay’s busiest king-making processions the way Gucci does, so he has started to taper his barked melodies so they settle just above the shimmers of a superb set of Zay beats, allowing the production to speak nearly as much as he does.

GloToven finds Keef in an entirely different mode than last October’s Back From the Dead 3, which, in keeping with that series, was rap as noise music, his largely amelodic bars erupting through booming productions, his verses sitting way up in the mix and nearly cacophonous. With Zaytoven establishing the terms, he is far more simpatico; perfectly measured and never suppressing the sounds cushioning him. Be it the crystalline gleam of “Spy Kid” or the bounce of “Sneeze,” Keef’s intoned flows are perfectly in phase.

As the godfather of “mumble,” Keef continues to push toward new sounds, expanding the scope of his music at every opportunity. (“All the young niggas grew up, wanna be me/You can act like it, bitch, I know you see me,” he raps knowingly and defiantly on “Spy Kid.”) On GloToven, he is constantly changing the shape of his voice and fiddling with its composition. Keef is far from the post-form ad-libbing of his acolytes like Playboi Carti; these songs have very clear ideas laid out and are performed deliberately. There seems to be little rhyme or reason to the songcraft beyond what Keef feels, but he has great instincts. “3rd Person” is a single rambled verse, in which his flows float through a wind tunnel of sounds from across the Zaytoven starter kit. Half of “F What the Opp Said” is just wordless Auto-Tuned warbling buoyed between Zaytoven’s oscillating keys. Ever the maverick, Keef turns a tender arrangement fit for The-Dream, on “Petty,” into an anti-ballad about how a paramour is nagging him too much about the cheating he’s definitely doing.

It isn’t really in Keef’s nature to be sentimental, but even Zaytoven has a way of getting to the hardest rappers. The presence of fallen love ones looms in the periphery as the tape goes on. “I ain’t got no choice but do this shit for my dead partners,” he raps early on. “I wanna bring my brother back but I know it ain’t gon’ happen,” he accepts on “Ain’t Gonna Happen,” calling Fredo Santana out by name. The anthropomorphic gold star on the cover, with its double cup and the cross between its eyes, is likely an homage to the late Fredo, who appears in promo footage for GloToven in which Keef bangs out a tune on a baby grand and is dubbed “the new Beethoven.” As the piano chords swell across GloToven, Chief Keef continues to expand his legacy, for both his sake and the sake of those he’s lost.

View the original article here



Related Posts Plugin for WordPress, Blogger...

Popular posts from this blog

The Pilgrim's Progress (2019) Sinhala Subtitles

Synopsis The epic tale of a pilgrim and his burden, based on John Bunyan's Masterpiece. Christian begins a journey from the City of Destruction to the Celestial City as the ultimate enemy tries everything in his power to distract him from his destination. One of the most popular books of all time is brought to life for the first time to theaters as a feature length, CGI animated movie.

Google Pixel 4 Release Date, Price & Spec Rumours

Google has released the first images of Pixel 4 ahead of its October launch. Here's what we know so far about the Pixel 4 and 4 XL.
Following months of rumours and concept artwork, Google has put the cat among the pigeons by releasing a genuine render (above) of Pixel 4 via its Twitter page: this is the real deal.
Rocking the same square camera module that leaked earlier this week via @OnLeaks and @PriceBaba, the image also reveals that the rear-mounted fingerprint sensor has disappeared, suggesting Google will join the in-display fingerprint sensor trend. The earlier leak also revealed that the speaker grilles moved to the bottom of the handset.

Turkey, Corn & Sun-Dried Tomato Wraps

Fresh corn kernels, tomatoes and lettuce fill these hearty turkey wraps. This wrap is great for picnics or when you need to have dinner on the run. Add some crumbled feta or shredded Cheddar for another layer of flavor. Serve with carrot sticks, sliced bell pepper or other crunchy vegetables plus your favorite creamy dressing.

Z-Edge Z3D dash cam Review

The Z-Edge Z3D dash cam system is amongst the most budget-friendly two-camera systems on the market, but does the performance reflect the price? Find out in our review.
Should I Buy The Z-Edge Z3D?
If you’re on the market for a dash cam that doesn’t break the bank, the Z-Edge Z3D system is a decent option – especially with premium features like built-in GPS and separate cameras for recording the front and rear of the car. 

Ghost Recon: Breakpoint Release Date, Gameplay News & Trailers

All you need to know about the latest instalment in the long-running series
Despite not being based on any of his books, the Ghost Recon series still bears the name of celebrated American novelist Tom Clancy. We have known that a successor to 2017’s Wildlands has been in the works for some time, and Ubisoft’s press conference at E3 2019 helped reveal more about the eleventh game in the long-running series. 
Here's everything you need to know about Tom Clancy’s Ghost Recon: Breakpoint, from the release date to the latest gameplay details and trailers.

Like Fan Page