Skip to main content



Featured Post

Neutral Milk Hotel - On Avery Island Music Album Reviews

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the oft-overshadowed debut from indie rock icons, a smaller and more intimate look into the mercurial world of Jeff Mangum.
In the mid-’90s, Jeff Mangum moved into a haunted closet in Denver where he had dreams of women in fur coats drinking champagne, yelling at him to get out of their house. During a snowy Colorado winter, the Louisiana-born songwriter and his childhood friend Robert Schneider set about recording what would become Neutral Milk Hotel’s debut album. They worked feverishly, going out to smoke cigarettes when they hit a roadblock, until, in May of 1995, they had a finished record. The North Carolina indie label Merge scooped up the young band and quietly released On Avery Island the following March.





Laurel Halo - DJ-Kicks Music Album Reviews

On her first commercial mix album, the producer crafts a unbroken stretch of shapeshifting grooves and psychedelic fireworks.

Laurel Halo has spent much of her career warily circling the dancefloor. For a few years in the middle of this decade, she threw herself into club music with gusto, to thrilling effect: 2013’s Chance of Rain remains an underrated slab of avant-techno, while the broken beats and rumbling sub-bass of 2015’s In Situ still sound ahead of their time. But Dust and Raw Silk Uncut Wood favored more abstracted rhythms and diffuse atmospheres, poised somewhere between ambient music, microtonal composition, and free improv, with pop-adjacent vocals draped loosely over the top.

What those who haven’t caught one of her club sets might not know is that Halo is also a top-notch DJ, with a facility for the sorts of forceful rhythms absent from her recent albums. Chief among her skills: A nonstop negotiation between peak-time thrills and the thorniest rhythmic thickets—an on-again, off-again détente as gripping as any geopolitical drama. That’s precisely what she does on DJ-Kicks, her first commercial mix album. The atonal pianos that open the session—Halo’s own “Public Art,” exclusive to this set—are a fakeout, the equivalent of dry-ice fog wafting over an empty floor as the club’s doors open. Not a minute in, she plunges headfirst into a chugging, EBM-inspired beat, kicking off an unbroken stretch of shapeshifting grooves that won’t let up, save for one brief breather, for the next hour.

But seamless isn’t the same as predictable, and one of the great pleasures of Halo’s mix is its switchbacking path. An early stretch of dank electro, clammy as catacomb walls, swiftly gives way to warm, flickering chords and spiraling synth arpeggios, sleek as a brand-new corkscrew. A long, gauzy passage erupts into gut-punching bass music; an extended foray into Detroit-inspired techno, all trepanation-drill precision, flips into a beatless, Stockhausen-does-Looney-Tunes interlude, which then paves the way for a newly focused son clave rhythm hurtling through the murk. That overarching ebb-and-flow holds sway throughout. Halo toys with the momentum of the mix as though periodically tugging at a Möbius strip, wadding it into a ball, and then smoothing it out again.

If I haven’t named many individual songs here, that’s in part because Halo’s style of mixing has a way of blurring the differences between tracks, of deemphasizing their uniqueness and folding them into an aesthetic that’s hers alone. That’s the case for many great DJs, but it seems especially true of Halo. Her own productions are distinguished by a certain smeariness, like a charcoal drawing smudged by an elbow, and the same hazy qualities distinguish DJ-Kicks. She tends to choose tunes that brim with shakers, brittle hi-hats, 808 cowbells, and other shimmery, trebly sounds; her kick drums are sturdy but slippery, with a tendency to stagger around the downbeat or hurtle forward, as though drunkenly determined.

One exception: Final Cut’s “Temptation,” a 1989 track from an early project of Detroit techno icon Jeff Mills, which pummels away with almost industrial relentlessness. But that, much like fellow Detroit veteran Blake Baxter’s 1991 cut “Funky World,” is an exception, present largely to set up everything that happens around it: a back-to-basics detonator for the ensuing psychedelic fireworks. (For what it’s worth, Mills’ and Baxter’s songs are among the very few tracks here that aren’t of recent vintage.)

It’s probably not a coincidence that one of Halo’s own songs, the Hodge collaboration “The Light Within You,” is built around a sample of what sounds like a self-help audiobook, delivered in mellifluous tones that verge on ASMR—“All good things come to me,” a woman’s voice repeats in a dulcet whisper; then, haltingly, she intones, “Pulling out of a bad mood.” These samples are pure Halo, wryly sardonic but also slyly effective, and they encapsulate what’s so great about the mix. Body music for heady dancers, this is a triumph of dance music at its trippiest, and in its controlled weirdness lies real liberation.

View the original article here



Related Posts Plugin for WordPress, Blogger...

Popular posts from this blog

The Pilgrim's Progress (2019) Sinhala Subtitles

Synopsis The epic tale of a pilgrim and his burden, based on John Bunyan's Masterpiece. Christian begins a journey from the City of Destruction to the Celestial City as the ultimate enemy tries everything in his power to distract him from his destination. One of the most popular books of all time is brought to life for the first time to theaters as a feature length, CGI animated movie.

Google Pixel 4 Release Date, Price & Spec Rumours

Google has released the first images of Pixel 4 ahead of its October launch. Here's what we know so far about the Pixel 4 and 4 XL.
Following months of rumours and concept artwork, Google has put the cat among the pigeons by releasing a genuine render (above) of Pixel 4 via its Twitter page: this is the real deal.
Rocking the same square camera module that leaked earlier this week via @OnLeaks and @PriceBaba, the image also reveals that the rear-mounted fingerprint sensor has disappeared, suggesting Google will join the in-display fingerprint sensor trend. The earlier leak also revealed that the speaker grilles moved to the bottom of the handset.

Z-Edge Z3D dash cam Review

The Z-Edge Z3D dash cam system is amongst the most budget-friendly two-camera systems on the market, but does the performance reflect the price? Find out in our review.
Should I Buy The Z-Edge Z3D?
If you’re on the market for a dash cam that doesn’t break the bank, the Z-Edge Z3D system is a decent option – especially with premium features like built-in GPS and separate cameras for recording the front and rear of the car. 

Turkey, Corn & Sun-Dried Tomato Wraps

Fresh corn kernels, tomatoes and lettuce fill these hearty turkey wraps. This wrap is great for picnics or when you need to have dinner on the run. Add some crumbled feta or shredded Cheddar for another layer of flavor. Serve with carrot sticks, sliced bell pepper or other crunchy vegetables plus your favorite creamy dressing.

Ghost Recon: Breakpoint Release Date, Gameplay News & Trailers

All you need to know about the latest instalment in the long-running series
Despite not being based on any of his books, the Ghost Recon series still bears the name of celebrated American novelist Tom Clancy. We have known that a successor to 2017’s Wildlands has been in the works for some time, and Ubisoft’s press conference at E3 2019 helped reveal more about the eleventh game in the long-running series. 
Here's everything you need to know about Tom Clancy’s Ghost Recon: Breakpoint, from the release date to the latest gameplay details and trailers.

Like Fan Page