Skip to main content



Featured Post

Felt - Forever Breathes the Lonely Word Music Album Reviews

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the misanthropic pop perfection of the indie British band’s sixth and best album.
In November 1986, a writer for NME visited the flat of indie-pop enigma Lawrence. The mononymous musician lived in a quiet suburb outside of Birmingham, England, alone except for a collection of records, a set of first edition Kerouac paperbacks, and enough cleaning products to stock a small hospital ward. “A platoon of Airwick Solids stoically occupy strategic vantage points; the toilet bowl harbors not the usual one, but a breeding pair of those Cartland-pink santisers; a wicker basket provides a mass grave for spent aerosol air fresheners.” Since he rarely left the antiseptic apartment, Lawrence explained that his days were typically spent wasting time with mundane activities, like assiduously washing his floppy brown hair.





Spiral Stairs - We Wanna Be Hyp-No-Tized Music Album Reviews

Clunky lyrics and inept political analysis hinder Scott Kannberg’s most enjoyable solo album to date.

Scott Kannberg enjoys the kind of indie-rock legacy that can’t be easily undone, but not for lack of trying. We Wanna Be Hyp-No-Tized is the Pavement co-founder’s third album as Spiral Stairs, or his fifth solo LP overall, counting two sometimes tedious ventures as Preston School of Industry. Though it represents his strongest and most immediately appealing output to date, Hyp-No-Tized eventually succumbs to the central conundrum of Kannberg’s post-Pavement output: On his own, he’s not a particularly compelling songwriter. The album aspires to cult-classic obscurity and lands in the realm of the tolerably generic.

Twangy, sun-bronzed rock is familiar Spiral Stairs territory, explored first on 2009’s The Real Feel and again eight years later on 2017’s Doris and the Daggers. Hyp-No-Tized accelerates the style to a faster clip, generously supplementing its guitar parts with saxophone and trumpet. The occasional forays into psychedelia—on jaunty opener “Hyp-No-Tized,” probably the strongest track of the bunch, and “BTG,” short for “Blame the Government”—feel effective, if not quite revelatory. Kannberg is a more assured and less nasal singer than he once was, an achievement he credits to imitating Van Morrison. But his lyrical abilities continue to lag behind his instrumental talents: At nearly every turn, he’s hampered by clunky phrasing, whether regrettable rhymes of convenience (“You were dressed up as a clown[...]/You just couldn’t hide your frown”) or ideas more eloquently expressed elsewhere (“There’s something bad going down in Denmark”).

Where Doris and the Daggers incorporated more personal reflection, Hyp-No-Tized taps into a timely but vague political theme. The nonspecific approach offers advantages: The United States’ long political nightmare needs no introduction, nor does anyone want to find out what rhymes with “Trump.” The cumulative effect, though, is uninspired. “Swampland” rebukes Washington, D.C. by embracing its most hackneyed metaphor. “Fingerprintz” begins by decrying partisan bickering, but halfway through it meanders into a thicket of instrumentation, never to return to the subject.

The album’s most topical entry, “Borderline,” addresses sensationalized talk of border walls and migrant caravans—issues on which Kannberg, as a Californian now living in Mexico, could offer a perspective. Yet the song operates in trite and indelicate couplets (“They’ll take your bread/And shoot you dead”), dimming the appeal of what would otherwise be solid pseudo-classic rock. As always, it’s near impossible to avoid comparison to former bandmate Stephen Malkmus, whose latter-day career has yielded both more incisive commentary (“Senator,” “Middle America”) and more enjoyable nonsense.

Those determined to listen to the entirety of the greater Pavement-related discography will surely find things to appreciate: the confident strut of the title track, the guitars that lap and corner around Kannberg’s vocals on “Hold On (Til I Figure It Out).” These are exciting moments and help elevate We Wanna Be Hyp-No-Tized above its predecessors, which is not a high bar to clear.

View the original article here



Related Posts Plugin for WordPress, Blogger...

Popular posts from this blog

Game Of Thrones Season 8 - End Game With Sinhala Subtitles

Asus ZenFone 6 Review

Has Asus cracked the bezel-less design with the ZenFone 6? We think so - read our review and find out why.
Should I Buy The Asus ZenFone 6?
The ZenFone 6 is a phenomenal smartphone, offering an innovative Flip Camera system that not only provides high-end front- and rear-facing cameras, but allows for a full-screen display free of hole-punch cameras or notches. Combine that with high-end internals and all-day battery life, and you've got a great, all-round smartphone. 

Samsung Q70R Review (2019)

Not as well specified as in previous years, but the 2019 Q70R is a superb QLED TV which has enough features from the flagship Q90R to make it great value at this price. Find our more in our full review.
Should I Buy The Samsung Q70R QLED 4K TV?
Highly impressive QLED picture quality along with the all-encompassing Smart Hub combine to make the Q70R a great choice if you can’t justify spending a whole lot more on the Q90R.

Huawei MateBook 14 Review

The MateBook 14 is one of Huawei's new laptops for 2019 and is the perfect all-rounder. Find out why in our full review.
Should I Buy The Huawei MateBook 14?
The MateBook 14 might be a slightly chunkier and heavier version of the flagship X Pro, but the weight is a small price to pay considering that this laptop is a much cheaper option.
What you lose (or gain, really) in weight, is made up for by additional ports, better performance and longer battery life. You only really need to pass on this if Thunderbolt is an absolute must.

Xiaomi M365 Electric Scooter Review

We test Xiaomi's electric scooter, which will keep the big kids entertained for hours. It's now officially available in the UK, too, which makes it even more appealing.
Should I Buy The Xiaomi Electric Scooter?
The Xiaomi Electric Scooter is expensive and not allowed on UK roads out the box, but if you have somewhere to take it this toy is an awful lot of fun. It's fast, smooth and almost entirely silent, with a battery that just keeps on going and decent brakes that stop you quickly but safely. This scooter is best reserved for the big kids, but that's no bad thing.

Like Fan Page