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Cashmere Cat - Princess Catgirl Music Album Reviews

The Norwegian producer invents a Vocaloid-inspired feline character and retreats from the spotlit pop of his last album, returning to the introspective hush of his earlier work.
After all these years, Cashmere Cat is still shy. The musician born Magnus August Høiberg has nearly a decade of prismatic productions under his belt, which has led to appearances on the big stages at EDM festivals, collaborations with childhood heroes, and studio time with the biggest pop stars in the world. On some level, Høiberg has had to adjust to the practicalities that this success requires. He once wouldn’t even do in-person interviews, but a few years ago he finally decided to open up about his life story in a music video. One would imagine he’s no longer hiding in a bathroom, as a friend of his once described, when DJ Khaled unexpectedly turns up at the studio.

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Various Artists - Control the Streets, Volume 2 Music Album Reviews

The Atlanta label home to Migos and Lil Yachty overstuffs their new compilation with lackluster raps from stars who seem to be stuck in a loop.

Quality Control, the label that brought us Migos, Lil Yachty, City Girls, and Lil Baby, is looking to reassert its authority. A lot has happened since they dropped the first Control the Streets in 2017. That was the year Culture swept America and Yachty became a brand. On Vol. 1, the title seemed like a commandment: The label was planting its flag and asserting its dominance. With Vol. 2, it sounds more like an attempt at crowd control, like trying to wrangle a disinterested mob.

It doesn’t help that Quality Control’s once-promising roster has mostly scattered to the winds. After following up their biggest-ever album with a bloated, underwritten snoozer, Migos split for three bad-to-mediocre solo albums between October of last year and February of this one. Lil Yachty was brainwashed by the Funk Flexes of the world into abandoning melody and joining the cypher. The wave that City Girls were riding in the aftermath of Drake’s massive hit “In My Feelings” died down; one member is currently serving a two-year sentence for credit card fraud and the other has come under fire for homophobia. The label’s brightest remaining prospect, Lil Baby, is still trying to prove he doesn’t sound like a one-dimensional Young Thug clone.

As a result, the sequel has the reek of desperation. Migos are trapped in a loop: They keep doing and saying the same things, recycling their flows, winding up in the same situations. “Everybody know that I’m trappin’/Everybody know that I’m gettin’ it,” Quavo raps on “Stripper Bowl,” and that’s the problem. Yachty raps exclusively about getting blowjobs and how broke his haters are. Which is fine, but does he have to sound so lifeless? Everyone on the roster suffers the same problem; their raps are completely unimaginative. The Migos party trick of constantly rearranging their flows is no longer an effective diversion.

The most colorful performances are delivered by outsiders: Megan Thee Stallion takes City Girls’ finesse rap to the next level on “Pastor,” comparing the money she squeezes out of her suitors to paying tithes. Tee Grizzley, with the home court advantage (on a Helluva beat that sounds absolutely Detroit), dunks on Yachty again in a rematch. On the “Intro,” Gucci Mane outshines the four QC stars, claiming he signed Hoodrich Pablo Juan just because he had designer drugs. DaBaby and Gunna take turns showing Offset up; Young Thug is like a peacock amid pigeons.

But of course, on an all-star project spanning 36 tracks, something or other is bound to work. It’s largely well-produced, thanks to an assemblance of elite talent, including Metro Boomin, Southside, Pi’erre Bourne. Murda Beatz, Wheezy, Mustard, Tay Keith, and many others. There are a couple of good performances here and there, but no choice cuts, just songs left on the cutting room floor during sessions for recent solo albums and filler tracks from lower-ranking artists on the QC roster. The longer the comp goes on, the more obvious it becomes that nothing is happening.

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